UPSC NDA 2 Age Limit & Eligibility 2024

UPSC NDA II Age Limit & Eligibility 2024
Manasa Defence Academy Providing the best NDA Training to the Students
In the competitive world of the National Defence Academy (NDA), it is crucial to have comprehensive knowledge about the age limit and eligibility criteria. The UPSC NDA II Age Limit & Eligibility 2024 is a topic of utmost importance for aspiring candidates looking to join the prestigious academy. Let’s delve into the details to understand the requirements and how Manasa Defence Academy stands out as the best choice for NDA training.

Age Limit for UPSC NDA II 2024:
The minimum age for candidates applying for UPSC NDA II is 16.5 years, while the maximum age is 19.5 years.
Candidates must be born not earlier than January 2, 2006, and not later than July 1, 2009.
Eligibility Criteria for UPSC NDA II 2024:
Candidates must be unmarried male Indian citizens.
For Army Wing of NDA: Candidates must have passed Class 12 or equivalent examination.
For Air Force and Naval Wings of NDA and for 10+2 Cadet Entry Scheme at the Indian Naval Academy: Candidates must have passed Class 12 with Physics, Chemistry, and Mathematics.
Candidates must meet the physical standards set by the National Defence Academy and Naval Academy.
Manasa Defence Academy – The Best NDA Training Institute:
Manasa Defence Academy is renowned for its exceptional training programs designed to prepare students for success in the NDA entrance exam.
Experienced faculty members guide students through the comprehensive syllabus, providing them with the knowledge and skills needed to excel.
The academy offers expert coaching, study materials, mock tests, and individual attention to ensure each student reaches their full potential.
With a proven track record of success, Manasa Defence Academy has helped numerous students achieve their dream of joining the National Defence Academy.
“At Manasa Defence Academy, we are committed to providing top-notch training to aspiring NDA candidates and helping them realize their potential.”

With the UPSC NDA II Age Limit & Eligibility 2024 in mind, choosing the right training institute is essential for success. Manasa Defence Academy stands out as a beacon of excellence, shaping the future leaders of tomorrow. Don’t miss the opportunity to receive the best NDA training and embark on a rewarding journey towards a career in the armed forces.

Narrative essay

Whenever I think of the incident that transpired on that particular Thursday afternoon, I get a nasty feeling about the challenges of working as a respiratory therapist. Is it that all the health care practitioners should have a calling to their work or should work as a profession? As a respiratory therapist, I usually work in the intensive care and the operating rooms, but I also engage in the outpatient activities. I am a specialist and an educator in the fields of cardiology and pulmonology. Most of the patients I attend to are in the ICU and the emergency departments struggling for their lives. At times, I manage the pre-hospital and the hospital to hospital patient transport by air or by mobile road ambulance. Most of the patients have illnesses ranging from asthma, bronchitis, and emphysema. Other have a heart attack and sleep disorders. On a certain Thursday afternoon late last year, I had one of the many challenges in my line of service.

I reported to work as usual and said a prayer before the start of my daily chores. I attended to several patients having varying illnesses, and most of them had a hope of getting well in due time. I decided to take a short rest during lunch hour after realizing that there were no more patients to attend. However, after few minutes, I received a call from the hospital superintendent that there was an emergency case I required to attend. The details clarified that I had to travel with several nurses to a nearby village to seek what we could do to save the situation. There was a man in his later forties who lived with asthma for a long time. I looked at him in desperation knowing that I could do my best to save the situation though he was in a life-threatening stage. He could not talk, had flared nostrils, his skin was bluish tint from the mouth region and under the fingernails. The man lacked adequate oxygen circulation in the blood stream.

My professional’s values require that I serve to the best of my ability to save lives and restore health. We teamed up with the nurses to address the condition, but our attempts seemed futile. All our first aid attempts failed to change the situation. I instructed the nurses to lay him in the ambulance and rush to the hospital for further treatment. I think that it was a rough day for me since every other attempt to save the man failed. He lost his life as we worked tirelessly to save it. I felt discouraged, guilty, and emotionally disturbed and could not attend to other patients that day. I questioned my work as a respiratory therapist and whether it was a calling or out of influence to study the particular discipline. According to my understanding, such occurrences were inevitable, but some could be saved regardless of their severity. I did not understand why the man could lose his life in the hands of professionals and experts in the field.

It was sad news to the close family members and very challenging to break the same news to the wife who was also ill of another health condition. In some instances, the experiences of healthcare practitioners are hard to relate with though they form part of the daily life. The work of a respiratory therapist is challenging, but the desire to continue improving the quality of life compels me to serve wholeheartedly.

Italian language and culture

THREE WORKS BY ANDREA PALLADIO
Andrea Palladio is among the foremost architects of his time. His works helped to change the face of the Renaissance architecture despite working during a time when the Council of tent aimed at reforming the religious architectures as per the Protestant Reform criticism as well as criticism from with the church itself. Thus, Palladio’s architectural designs were limited to a large extent. One of his work was the Basilica di San Pietro di Castello in Venice which was publicly commission buildings. Basilica di San Pietro di Castello is a building that dates from the 16th century. It was the cathedral church of the city. Andrea Palladio was nominated to provide ideas for additions and alterations of the prominent early architects of Venice. His work was to rebuild the interior and faced of St Pietro. The church has a large dome showing the ecclesiastical importance of the church. The drum supports the dome with rectangular windows for letting in light. The interior has a large nave at the central with Latin aisle. There is a transept crossing the church separating the presbytery from the navel.

However, few years later he was commissioned to construct a private chapel for the Barbaro brothers who became his central opportunity of having a perfect plan of the church. Tempietto Barbaro is, therefore, his most crucial work that is a vehicle for discussing his other entire central plan and understanding the theories of architectural planning during the Renaissance. The Barbaro brothers were the Venetian aristocrats prominent for their goal of establishing a humanistic society and educated in humanistic educations. The final architectural work was a product of Palladio’s and Marcantonio Barbaro ideas. The church’s location at the Barbaro estate bounded in the village of the Maser. Its primary purpose was to become a private chapel for the function of the village parish and the Barbaro (Figure 1). The churches plan design is from the Greek cross but in a smaller version of the chapel. It has a semi-circular dome and four arms (Figure 2).

The construction’s facade transports the viewer immediately to the Pantheon in Rome, with its portion and pediment fronting the great dome. There is minimal extravagant ornamentation inside the church. It has no paintings but white walls; the decorations comprise of the statuary. The function of the church to become the village parish was secondary to its purpose of being the Marc’antonio and his family mortuary chapel. Therefore, the church is constructed to bring in muted lighting, and its decorations are not over the top There are repeated sets of Corinthian columns within the triumphal arch motif replicated throughout the room (Weissmuller, 2007).

Il Redentore is another work by Palladio has the Aedicules that feature on the walls encrypted with the Barbaros’ patron saints pictures. The Il Redentore was Palladio’s idyllic church that he has always had in his mind. Palladio’s ideas and thought in designing the Il Redentore had their way in planning for the Tempietto Barbaro. Each feature in Il Redentore is well elevated showing the steps leading to the front entrance. The Il Redentore is a square shape outwardly but the inside there is a faint Greek cross plan that is more pronounced that the Tempietto. The front features of Il Redentore comprise of four engaged columns that are Tempiettos temple front. In general, the initial ideas that Palladio conceived for the Il Redentore were revived and rejuvenated in the construction of Tempietto Barbaro (Weismuller, 2007).

Other architects and their importance
Girolamo Savonarola was a friar Dominican, who preached in Florence in the Renaissance period. His preaching was to seek both political and spiritual reform. Savonarola preached against the materialistic lifestyle of Florence, which was the great center of literature, architecture, and Renaissance art. Sandro Botticelli during his time produced many volumes of paintings and drawings such as the ‘Divine Comedy’ manuscript by Dante. With Botticelli’s work were mainly church related.

For instance, the Adoration of the Magi’ (c.1481) provides heavy details with well elaborated architectural representations and expressive set of figures within religious contexts. He had a good reputation in religious art and was invited to work in decorating the Sistine Chapel in Vatican. By the turn of the century, he had readopted the Gothic principle and abandoned modern architecture in place of rural elements for framing subjects.

The Scrovegni Chapel Giotto di Bandon’s masterwork that he completed in 1305 in Padua, Italy for the Enrich Scrovegni family. The forgoes that adorn the ceilings and walls of the chapel relate to an emotional and complex narrative of the lives of Jesus and Mary. The narrative outlook forms the genius aspect of this chapel. Bandon’s settings and themes are exclusively religious as seen in the ionic scenes that depict Jesus, Mary, and Joachim.

Scrovegni Chapel

Leon Battista Alberti in 1435 gave the first theory about the modern day linear perspective ion his book the painting. This new system has a major impact on measurements in paintings to many artists after 1435. The artist created a floor on the ground of the painting and drew another receding grid to guide the reflective scale on other elements in the picture. It was the first step that painting was not just for the purpose of God’s glorifications as it was the case of the Medieval Europe. Instead, painting during the Renaissance was for the people looking at the painting.